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The 1989 Patrick Swayze film about an enigmatic bouncer was a curiosity that was perfectly of its time. A clinically passionless remake with Jake Gyllenhaal fails to justify itself
The 1989 Patrick Swayze film about an enigmatic bouncer was a curiosity that was perfectly of its time. A clinically passionless remake with Jake Gyllenhaal fails to justify itself
Jonathan Glazer’s film – which has been nominated for five Oscars, including Best Picture – is set on the literal fringes of Auschwitz, with seemingly idyllic images of family life bordering the horror on the other side of the fence
Jonathan Glazer’s film – which has been nominated for five Oscars, including Best Picture – is set on the literal fringes of Auschwitz, with seemingly idyllic images of family life bordering the horror on the other side of the fence
Cooper is effortlessly charming in a film that’s been making headlines for all the wrong reasons, and his co-star Carey Mulligan is magnificent
Cooper is effortlessly charming in a film that’s been making headlines for all the wrong reasons, and his co-star Carey Mulligan is magnificent
There are ‘Heathers’ parallels to filmmaker Emma Seligman’s casually subversive high school movie, starring buzzy up-and-comers Rachel Sennott (of ‘Bodies Bodies Bodies’) and Ayo Edebiri (of TV’s ‘The Bear’)
There are ‘Heathers’ parallels to filmmaker Emma Seligman’s casually subversive high school movie, starring buzzy up-and-comers Rachel Sennott (of ‘Bodies Bodies Bodies’) and Ayo Edebiri (of TV’s ‘The Bear’)
Periodically clunky but absolutely beautiful to look at, this is Gareth Edwards’ return to dazzling sci-fi after years of bloated franchise fare such as ‘Rogue One’
Periodically clunky but absolutely beautiful to look at, this is Gareth Edwards’ return to dazzling sci-fi after years of bloated franchise fare such as ‘Rogue One’