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There was likely a collective reshuffling on critics’ end of year lists upon the release of Big Thief ’s new album – their second of 2019 – Two Hands , this week. It really is extraordinary – you can read my review of it here .
Also causing a stir, albeit a more hysterical one, was Harry Styles with his single “Lights Up” (review here ). It’s his first new music in two years, and shows how, as an artist, he continues to intrigue and surprise. The new track is a pychedelic-tinged pop number about stepping “into the light”, which many have interpreted as being about accepting your own identity given it was released on National Coming Out Day in the US.
I love the new single “Perdus” by Belgian/French pop phenomenon Angele – essentially their answer to Billie Eilish. Like the “Bad Guy” singer, she’s the daughter of two relatively high-profile cultural figures: singer Marka and comedian Laurence Bibot. She’s collaborated with her brother – rapper Romeo Elvis – on occasions, and has been hailed as the “artist of the year” in France.
Then there’s French producer SebastiAn, who’s teamed up with one of London’s best new artists, Bakar, for the compelling “Sober”, ahead of his performance at Pitchfork Festival in Paris. Cigarettes After Sex have a mesmeric, tender new single “Falling in Love”, which is a moving rumination on frontman Greg Gonzalez’s long-distance relationship with his girlfriend.
Show all 35 1 /35The 35 best debut albums of all time The 35 best debut albums of all time 35) Arctic Monkeys – Whatever People Say I Am, That’s What I’m Not (2006) A new wave of British guitar bands was already being pioneered by the likes of The Libertines, Bloc Party and Franz Ferdinand when the Sheffield-formed Arctic Monkeys arrived on the scene. But their 2006 debut – the defiantly titled Whatever People Say I Am, That’s What I’m Not – is arguably the most generation-defining, by a band experiencing the kind of hype that hadn’t been seen since Oasis with Definitely Maybe. Alex Turner’s sardonic and keenly observational lyrics on songs like “Fake Tales of San Francisco” and “When the Sun Goes Down” had fans clamouring to get into their early shows. It was an early example of the power the internet would hold over the music industry – propelling them from an unknown indie band on MySpace to the top of the charts in the space of six months.
The 35 best debut albums of all time 34) Please Please Me – The Beatles (1963) Please Please Me has a rhythm to it like little else released by The Beatles. Songs like “Twist and Shout” and “I Saw Her Standing There” have an energy that reflects the youthful vim of the band themselves, who were raring to go following the number one single from which the album takes its name. Their harmonies are thrilling to hear, and this is arguably the best album for capturing the band’s raw power.
The 35 best debut albums of all time 33) Yeah Yeah Yeahs – Fever to Tell (2003) In 2003, the Yeah Yeah Yeahs stuck a middle finger up to the naysayers who scoffed that they were little more than a bunch of posers. Their debut album Fever to Tell is a bristling record loaded with New York snark supplied by Karen O’s impressive vocal turns. Nick Zinner keeps the urgency going with roaring guitar licks while Brian Chase offers earth-shaking percussion on the likes of “Date With the Night” and “Y Control”. More than trendsetters – the Yeah Yeah Yeahs were the brains behind the smartest album of that year.
The 35 best debut albums of all time 32) Franz Ferdinand – Franz Ferdinand (2004) Kanye West called it “white crunk music”. The band themselves called it “music for girls to dance to”. And songs such as “This Fire” certainly livened things up their irresistible hooks and disco energy, as frontman Alex Kapranos turned the male gaze on its head with lyrics like “I can feel your lips undress my eyes”. Fifteeen years later and “Take Me Out” still makes you swing your hips.
The 35 best debut albums of all time 31) Oasis – Definitely Maybe (1994) Blur versus Oasis is a battle music fans will be waging for decades to come, but when it comes to debut albums, Oasis emerge as top dogs. Definitely Maybe was exciting, aggressive and loaded with attitude: a 22-year-old Liam Gallagher spits and snarls over the reverb-soaked guitars of “Cigarettes & Alcohol”, and soars on that falsetto for “Live Forever”. Among the “too cool for school” alt-rockers who spurned the glitz and glamour of fame, Oasis asserted themselves as the definitive rock and roll stars.
The 35 best debut albums of all time 30) Lady Gaga – The Fame (2008) Stefani Germanotta’s debut album The Fame brought maximalist pop back to the forefront of the late-Noughties music scene, in an industry that was desperately lacking in pop divas. Lady Gaga already sounded famous and she acted famous – but that doesn’t mean her music couldn’t stand on its own. Songs like “Beautiful, Dirty, Rich” and “Just Dance” seemed to convey Gaga’s love of fame and hedonism while remaining supremely self-aware of its superficiality. To top it off, it was masterfully produced and resplendent with slick, catchy dancepop and Eurodisco influences.
The 35 best debut albums of all time 29) Kendrick Lamar – good kid, m.A.A.d City (2012) Kendrick Lamar subtitled his debut record “A Short Film by Kendrick Lamar”, and indeed it feels as though you’re watching the movie of his early life – such is the autobiographical nature of this record. He raps in low, furtive tones, interrupted by voicemails from his family (his mother asks him pleadingly to return her car) that reinforce the familial themes. It is family, and faith, that keep Lamar on the outskirts of a world of violence and sin. Even this early on his career you hear the virtuosity and acute understanding of rhythm – Good kid, m.A.A.d City now stands as a classic album from a rapper who chooses the power of storytelling over a cheap punchline.
The 35 best debut albums of all time 28) Led Zeppelin – Led Zeppelin (1969) Not every great debut album is defined by whether the artist has landed on their “sound” by the first track. Led Zeppelin were still figuring things out when they released their self-titled debut, yet it is essential because it laid the groundwork for what they would go onto achieve the following decade. “We were learning what got us off most and what got people off most,” Robert Plant said. You had the blues and folk notes on “Babe I’m Gonna Leave You”, and the chugging rock of “Communication Breakdown”; Plant’s yowling vocals and Jimmy Page’s guitar. It did the trick.
The 35 best debut albums of all time 27) The Jesus and Mary Chain – Psychocandy (1985) “It was the crap coming out of the radio that made us want to be in a band more than anything else,” Jim Reid told Rolling Stone for the 30th anniversary of the Scottish alt-rocker’s debut album Psychocandy . “Because it was like, ‘Why is everything we hear so f***ing awful?’ That was the main driving force: how bad things were.” Psychocandy was certainly like nothing anyone else released at that time. Inspired by the Velvet Underground and The Stooges, the Reid brothers loaded their debut with buzzy guitars and hair-raising levels of feedback on singles like “You Trip Me Up” and “Never Understand”. It paved the way for countless shoegaze and alt-rock bands in the decades that followed.
The 35 best debut albums of all time 26) Jeff Buckley – Grace (1994) Grace is a masterpiece, and the only album the perfectionist Jeff Buckley was satisfied with before he drowned, aged 30, in a freak accident in Memphis in 1997. Yet had Grace been the only material ever released under his name (live recordings, covers and demos were released posthumously), it would have been enough to prove he was a rare and exceptional talent. His exquisite rendering of Leonard Cohen’s “Hallelujah”, his melismatic singing on “Grace” and the church-like hush of “Lover, You Should Come Over” – all of this and more carved out a rich legacy that ensures Buckley’s music will never fade.
The 35 best debut albums of all time 25) Eminem – The Slim Shady LP (1999) The whipsmart, cynical, outrageous young man on Eminem’s major label debut was a breath of fresh air – or perhaps more of a slap in the face – after a spate of soulful, conscious hip hop records. Of course, the rampant misogyny and homophobia his so-called “character” Slim Shady spat out caused uproar, regardless of how surreal the scenarios to which they were applied were. Arguably what stands out the most on The Slim Shady LP is the sheer technical skill and lyrical ability that few have been able to match since.
The 35 best debut albums of all time 24) The Who – My Generation (1965) Not only did it lay the groundwork for so many punk, rock and heavy metal bands that came after them – but the manic rhythms and raw intensity of their power-chord ballads featured on The Who's my Generation propelled rock and roll to new heights in 1965.
The 35 best debut albums of all time 23) The Strokes – Is This It (2001) “Saviours of rock and roll!” “The greatest rock band since the Rolling Stones!” You have to pity The Strokes, who released their debut album under the biggest wave of hype imaginable. Yet it’s hard to deny the impact Is This It had on rock music – critics have argued that the Arctic Monkeys and Franz Ferdinand wouldn’t have existed if not for this band. They eschewed pre-programmed beats and autotuned vocals in favour of a gritty post-punk approach, and the result was an album that reinvigorated a floundering music industry, and inspired an entire generation of bands.
The 35 best debut albums of all time 22) Run-DMC – Run-DMC (1984) The idea of a rap album was virtually inconceivable until Run-DMC released their full-length, self-titled debut in 1984. When he inducted them into the Rock and Roll Hall of Fame, Eminem called them “the first movie stars of rap… they are The Beatles”. Busta Rhymes proclaimed: “Run-DMC didn’t change music, they changed everything.” The trio’s aggressive yet stark tracks – like “Sucker MCS” and “Hard Times” – were a dramatic contrast against the R&B-driven rap of the time, an approach emulated by the rappers themselves, who spurned outlandish costumes in favour of tracksuits and sneakers. As an anniversary piece in Billboard noted, “they were authentic before authenticity in hip hop was even a thing”.
The 35 best debut albums of all time 21) Roxy Music – Roxy Music (1972) Brian Eno’s experimental synths met Bryan Ferry’s romantic, old-school charm on the debut album from Roxy Music's bizarre art-glam-rock outfit. There were odes to Humphrey Bogart (“2HB”) and cyber-rock jams (“Ladytron”), and songs decorated with spooky-sounding hooks that wouldn’t sound out of place in The Rocky Horror Show (the character Riff Raff even seemed to take his cues from a balding Brian Eno).
The 35 best debut albums of all time 20) Jay-Z – Reasonable Doubt (1996) Still regarded by many as his greatest album to date, Reasonable Doubt asserted Jay-Z as a master freestyle – perhaps the best of his generation – recorded in a studio he compared to a psychiatrist’s couch. At the heart of the record is a blistering duet with the Notorious BIG, “Brooklyn’s Finest”, which practically heralded the shift of focus back from West Coast hip hop to the East.
The 35 best debut albums of all time 19) Black Sabbath – Black Sabbath (1970) Rolling Stone 's Lester Bangs described the Black Sabbath as “just like Cream! But worse”, and their debut album as “a shuck – despite the murky song titles and some inane lyrics that sound like Vanilla Fudge paying doggerel tribute to Aleister Crowley, the album has nothing to do with spiritualism, the occult, or anything much except stiff recitations of Cream clichés”. The Village Voice weren’t keen either, with critic Robert Christgau condemning it as “bulls**t necromancy.” Yet this is the album that invented heavy metal. Black Sabbath arrived ready to lure fans over to the dark side with Ozzy Osbourne’s piercing, operatic cry: “My name is Lucifer, please take my hand.” Critics be damned.
The 35 best debut albums of all time 18) Sex Pistols – Never Mind the Bollocks, Here's the Sex Pistols (1977) “The album will last. The sleeve may not,” said the adverts for the Sex Pistols’ first and only studio album in 1977. The Sex Pistols were already controversial before the release of Never Mind the Bollocks , having caused nationwide uproar for swearing on live TV, been fired from two record labels, and been banned from a number of live venues in England. Yet despite many major retailers refusing to sell it, the album debuted at number one on the UK album charts and is today regarded as one of the most important punk albums in music history.
The 35 best debut albums of all time 17) The Clash – The Clash (1977) Joe Strummer was a ball of rage and ambition when he and the rest of The Clash laid down the tracks for their debut album. Most of the guitar on this record was provided by Mick Jones, because Strummer didn’t think technical ability was punk enough. Yet their vision burns through on the buzz-saw attack of “Career Opportunities” and “White Riot”, raising a fist against unemployment, racism and the fat cats of industry.
The 35 best debut albums of all time 16) Guns N Roses – Appetite for Destruction (1987) Guns N Roses' Appetite for Destruction was the biggest thing to happen to hard rock since Led Zeppelin IV . Slash’s guitar and Axl Rose’s wild, animal howls contribute to the raw energy on songs like “Paradise City” and marked a dramatic shift away from the commercialised heavy rock that was being played on MTV at the time – proudly championing a gritty form of hedonism instead. “A lot of rock bands are too f***ing wimpy to have any sentiment or emotion,” Rose said. Not this band.
The 35 best debut albums of all time 15) Daft Punk – Homework (1996) Daft Punk's Homework was originally intended as “just a load of singles”, until Thomas Bangalter and Guy-Manuel de Homem-Christo realised they had enough quality tracks for a full-length release. Each one opens with a kind of motif upon which multiple textures build and sprawl outwards – sleazy guitar hooks, G-funk whines and glittering synths. It’s the album that alerted the rest of the world to the French house music scene.
The 35 best debut albums of all time 14) The Doors – The Doors (1967) Sex and poetry go hand in hand, especially if you’re a Jim Morrison fan. While few bands manage to divide critical opinion as much as The Doors, their debut album’s organ-driven rock was as tight as their frontman’s famous leather trousers. They brought theatricality to the Sixties music scene and went onto inspire as broad a range of artists as The Stranglers to Skrillex. The baroque pop stylings and lustful lyrics on “Light My Fire” proved to be a breakthrough, and helped propel them to number two on the US Billboard 200.
The 35 best debut albums of all time 13) Kanye West – The College Dropout (2004) After making a name for himself on Jay-Z’s The Blueprint as well as by producing hits for Janet Jackson and Ludacris, Kanye West spent four years recording The College Dropout . His background as a producer was obviously beneficial to his own debut, at a time where hip hop sampling was being accused of being too safe. And he subverted many other hip hop clichés, skirting round the dominant “gangsta” persona and instead finding solace in family and the church.
Def Jam
The 35 best debut albums of all time 12) Pink Floyd – The Piper at the Gates of Dawn (1967) Pink Floyd’s debut The Piper at the Gates of Dawn stands as a classic of psychedelic rock. Helmed by an unravelling Syd Barrett – ousted a year after the album’s release – it shows the band at their most playful, with several tracks going onto become staples of their live shows. Songs such as “Bike”, meanwhile, proved the band were not averse to a good pop hook along with the acid guitars and hazy production.
The 35 best debut albums of all time 11) Lauryn Hill – The Miseducation of Lauryn Hill (1998) Lauryn Hill raised the game for an entire genre with the immense and groundbreaking record, The Miseducation of Lauryn Hill . Flipping between two tones – sharp and cold, and sensual and smoky – the former Fugees member stepped out from rap’s misogynist status quo and drew an audience outside of hip hop thanks to her melding of soul, reggae and R&B, and the recruitment of the likes of Mary J Blige and D’Angelo. Its sonic appeal has a lot to do with the lo-fi production and warm instrumentation, often comprised of a low thrumming bass, tight snares and doo-wop harmonies. But Hill’s reggae influences are what drive the album’s spirit: preaching love and peace but also speaking out against unrighteous oppression. Even today, it’s one of the most uplifting and inspiring records around.
The 35 best debut albums of all time 10) Dizzee Rascal – Boy in Da Corner (2003) It’s staggering to listen back to Boy in Da Corner and remember Dizzee Rascal was just 18-years-old when he released it. Rising through the UK garage scene as a member of east London’s Roll Deep crew, the MC born Dylan Mills allegedly honed his skills in production after being excluded from every one of his classes, apart from music. If you want any sense of how ahead of the game Dizzee was, just listen to the opening track “Sittin’ Here”. While 2018 has suffered a spate of half-hearted singles playing on the listener’s sense of nostalgia for simpler times, 15 years ago Dizzee longed for the innocence of childhood because of what he was seeing in the present day: teenage pregnancies, police brutality, his friends murdered on the streets or lost to a lifestyle of crime and cash. Boy in da Corner goes heavy on cold, uncomfortably disjointed beats, synths that emulate arcade games and police sirens, and Dizzee himself delivering bars in his trademark, high-pitched squawk.
The 35 best debut albums of all time 9) Beastie Boys – Licensed to Ill (1986) Hip hop’s first number one album was an incendiary, all-guns-blazing record that would send shockwaves around the music industry for years to come. Few artists release something so assertive as this – a statement of intent to middle America that demanded they fight for their right to party. Beastie Boys' Mike D, Ad-Rock and MCA would move on from the frat boy humour and “good time” attitude of Licensed to Ill , but it is that record that delivered rap against a backdrop of Led Zeppelin and James Brown-inspired guitar licks.
The 35 best debut albums of all time 8) The Notorious BIG – Ready to Die (1994) The rapper Notorious BIG, born Christopher Wallace, had been taking part in rap battles around Fulton Street, Brooklyn since he was 13 years old, but it was only at the urging of his friends that he quit a lucrative drugs operation and devoted himself to music. Living on a knife’s edge was all Biggie Smalls knew as a kid, when he was “waking up every morning, hustling, cutting school, looking out for my moms, the police, stickup kids; just risking my life every day on the street selling drugs”, as he told Rolling Stone back in 1995. The things he witnessed and experienced were poured into Ready to Die – one of the best debut albums in hip hop – delivered in his signature throaty vocals with wit and humour.
The 35 best debut albums of all time 7) Ramones – Ramones (1976) At less than 30 minutes, Ramones’ debut injects their rage, their disillusionment and their frustration directly into the listener’s veins. It’s a record that spurned the posturing of Seventies rock and stripped all of the artifice away to the bare bones beneath, with songs such as “Beat on the Brat” and “Now I Wanna Sniff Some Glue” proving to be as surly as the band themselves. “Our early songs came out of our real feelings of alienation, isolation, frustration – the feelings everybody feels between seventeen and seventy-five,” singer Joey Ramone said. The whole record cost just $6,000 to make.
The 35 best debut albums of all time 6) NWA – Straight Outta Compton NWA unveiled their cold, menacing sound on debut record Straight Outta Compton that heralded the beginning of gangsta rap and also launched the careers of Dr Dre, Eazy-E and Ice Cube. The latter made it clear they weren’t positioning themselves as people to look up to: “Do I look like a mother***ing role mode?” he demands on “Gangsta Gangsta”. Their track “F*** tha Police” – a protest track against racism and police brutality – led to them receiving a threatening letter from the FBI, which only contributed to their growing fame.
The 35 best debut albums of all time 5) The Velvet Underground – The Velvet Underground & Nico (1967) Dubbed the Banana Album for its famous Andy Warhol cover art, The Velvet Underground & Nico is proof of what a band can do when they are completely fearless. With Nico – the beautiful German vocalist added to the band at Warhol’s request – you have this exquisite balance of cool femininity and fiery machismo. Sex and hedonism are everywhere on this record, from “Venus in Furs” to “Run Run Run”, but it’s not so much glamour as glam rock – gritty tales of drug addiction and raw desire. Speaking of its initially low sales figures, Brian Eno observed that, nonetheless, “everyone who bought one of those 30,000 copies started a band”. David Bowie called it “the future of music”, and 52 years later, it still feels like it.
The 35 best debut albums of all time 4) Jimi Hendrix Experience – Are You Experienced A virtual unknown to rock fans just a year before – Jimi Hendrix used Are You Experienced to assert himself as a guitar genius who could combine pop, blues, rock, R&B, funk and psychedelia in a way no other artist had before. That’s even without the essential contributions of drummer Mitch Mitchell and bassist Noel Redding, who handed Are You Experienced the rhythmic bridge between jazz and rock. Few album openers are as exquisite as “Purple Haze”. Few tracks are as gratifying, as sexy, as the strut on “Foxy Lady”. And few songs come close to the existential bliss caused by “The Wind Cries Mary”. Hendrix’s attack on the guitar contrasted against the more polished virtuosos in rock at the time – yet it is his raw ferocity that we find ourselves coming back to. Few debuts have changed the course of rock music as Hendrix did with his.
The 35 best debut albums of all time 3) Patti Smith – Horses (1975) “Jesus died for somebody’s sins, but not mine,” go the immortal opening words of Patti Smith’s debut album Horses . There’s a heady anticipation as she speaks the lyric in a low, seductive murmur, before switching to a cocky swagger as the electric guitar line kicks in. It was a bold move, to open her debut album with a reinvention of someone else’s song (in this case Van Morrison’s “Gloria”), but Smith was unlike anything the music world had ever seen. She was a poet, who wanted to capture the literary genius of her idol Arthur Rimbaud and channel it via the raw passion of an artist like Jimi Hendrix. “She was like a wildcat, walking out with this jacket slung over her shoulder,” Sonic Youth’s Thurston Moore once recalled of seeing her perform the album live in 1976. “It was life-changing.”
The 35 best debut albums of all time 2) Illmatic – Nas (1994) How good can rap get? This good. There are albums where the myth can transcend the music; not on Illmatic , where Nas vaulted himself into the ranks of the greatest MCs in 1994, with an album that countless artists since have tried – and failed – to emulate. Enlisting the hottest producers around – Pete Rock, DJ Premier, Q-Tip, L.E.S and Large Professor – was a move that Complex blamed for “ruining hip hop”, while still praising Nas’s record, because it had a lasting impact on the use of multiple producers on rap albums. Nas used the sounds of the densley-populated New York streets he grew up on. You hear the rattle of the steel train that opens the record, along with the cassette tape hissing the verse from a teenage Nasty Nas on Main Source’s 1991 track “Live at the BBQ”: ‘When I was 12, I went to Hell for snuffing Jesus.”
The 35 best debut albums of all time 1) Joy Division – Unknown Pleasures (1979) Unknown Pleasures is unlike any album that had been created before it – or indeed any album since. It’s mysteriousness makes it as compelling as many great works of literature; indeed, our critic Chris Harvey said the spiritual force emanating from the Joy Division's record's grooves make it feel “almost Dostoevskyan”. Peter Hook’s basslines veer and thrum wildly beneath Ian Curtis’s dark mutterings that are at once urgent, detached, and strangely sexless. On “She’s Lost Control” it as though you’re hearing the band play from the end of a dark tunnel – the echoes of Curtis's voice and the ominous rumblings of that bass build and build. By the time you reach those final, shivery notes on “I Remember Nothing”, it doesn’t feel like an overstatement to call this a life-changing record.
Two big comebacks happened this week: Caribou , with his new soul-sampling track “Home”, and Louis Berry , the brilliant Liverpool-born artist, with the single “Molly Malone”. I’ve been listening a lot to the new EP from Latin boyband CNCO, who explore trap, salsa, reggaetón and pop in a distinctly modern way.
There’s a great reworking of a new, stripped-back version of Yann Tiersen ’s “Monochrome” with Super Furry Animals frontman Gruff Rhys joining Tiersen’s wife, Emilie, on vocals. Tiersen felt the original version, which featured in 1998’s The Lighthouse, obscured some of the meaning in the lyrics. “There are lots of overdubs with the violin and the harpischord in the original, and I always felt that it masked the lyrics and the song,” he explains.
“That, of course, doesn’t mean that I don’t like the original version, but I always wanted to strip it down to something more straightforward and allow someone to sing it with more weight and clarity on the lyrics.” “Monochrome” is taken from Tiersen’s forthcoming album Portrait , which is out via Mute records on 8 December.
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I went to two really great gigs this week: Kano at the Royal Albert Hall (I thought he was literally going to bring the place down ), and Sea Girls, who sold out the Kentish Town Forum and really blew me away with their live renditions of hook-loaded pop-rock. They were tipped as one of The Independent's Ones to Watch for 2019 and I'm expecting even bigger things from them next year – hopefully that'll include their debut album.
My spotlight artist this week is Julien Chang , who just released his debut album Jules via Transgressive. The Baltimore-based newcomer is only 19 but already has a mature pop sound that draws in funk and jazz influences for something that feels energetic and fresh. I caught up with him about the record and what he has lined up for 2020 – you can also check out his new video for "Memory Loss", below:
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Sign up – Hey Julien! How's your 2019 so far?
2019 has been really exciting so far. I first began really working creatively with the label and my manager in March. I finished my first year of college in okay shape in May. And I left America for the first time in June. A lot of firsts! I got to travel and write a lot this summer. I just recently got back to school, and since I've been back I've been rehearsing with my live band to prepare for my very first tour. Really exciting times. Looking forward to what's next.
– Talk me through your album, big themes, when and where you recorded it, etc...
I recorded the album largely in the summer of 2017 in a grimy little 10x10 foot basement studio that I had built with my dad. Our basement had been previously used as a storage space for a lot of my parents' old art junk. I knew I wanted my own space to record music where nobody could hear me, but it was an expensive project. So I got a job at the grocery store in our neighbourhood and saved up five thousand dollars in six months or so to spend on putting this studio together. It's not the ideal space to record music. It gets cold and damp and crickets had decided to take up permanent residence pretty early on. I had to leave the dehumidifier running at all times unless I was recording something. In between takes, I'd have to turn the dehumidifier back on.
I guess it was a space that was conducive to writing music that dealt largely with certain kinds of discomfort. I wrote a lot about my friends and little question games I was having with myself, but most of the themes of the album found a central latch point in the general uncertainty that goes along with being seventeen and getting ready for your senior year of high school. A lot of life experimentation is required. The studio gave me the chance to opt for musical experimentation to fulfil that necessity. My hermit cave of experimental sound concoctions.
– What's been some of your favourite music released this year?
I haven't been keeping up with a lot of the music released this year. The new records by Flying Lotus and Tyler, the Creator are really very special pieces. Incredible works. I've mainly been digging backward this year though. Recent inspiration for me has come from Thomas Mapfumo and even further back, Alban Berg.
– And what do you have lined up for 2020?
I'm going on tour for the very first time starting next week. I'm equally excited and nervous about that. Feeling grateful and optimistic though. I'm always recording and trying to find inspiration in new things. I've recently been reading two plays each week. There's so much in there that I can let shape my mind and future ideas.
Julien Chang plays the following dates in London: Bermondsey Social Club on 28 October and Servant Jazz Quarters on 29 October.
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