With a largely acoustic recording one might expect a certain amount of reserve and introspection. But that’s certainly not the case with this Malian singer-songwriter’s third album.
The intricate interweaving of guitar and ngoni juxtaposed with the bright, clear backing vocals makes for a sound that’s dynamic and assertive. In fact, you’d hardly guess from the largely optimistic vibe that – as is the case with other recent Malian releases I’ve covered here by Bassekou Kouyate, Tamikrest and Samba Touré – this was recorded under arduous conditions created by Islamic extremists. Occasionally, however, the barely repressed anger does break through, such as on the intense “Waayey” (“The Butcher”).
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Join our commenting forum
Join thought-provoking conversations, follow other Independent readers and see their replies
Comments