Letter: Building on Romantic rubble

Friday 30 September 1994 23:02 BST

Your support helps us to tell the story

From reproductive rights to climate change to Big Tech, The Independent is on the ground when the story is developing. Whether it's investigating the financials of Elon Musk's pro-Trump PAC or producing our latest documentary, 'The A Word', which shines a light on the American women fighting for reproductive rights, we know how important it is to parse out the facts from the messaging.

At such a critical moment in US history, we need reporters on the ground. Your donation allows us to keep sending journalists to speak to both sides of the story.

The Independent is trusted by Americans across the entire political spectrum. And unlike many other quality news outlets, we choose not to lock Americans out of our reporting and analysis with paywalls. We believe quality journalism should be available to everyone, paid for by those who can afford it.

Your support makes all the difference.

Sir: Interestingly, you chose a painting by Henry Fuseli (Johann Heinrich Fussli) to illustrate Lord Weidenfeld's response to the controversy aroused by Andrew Graham- Dixon's article on the German Romanticism exhibition at the Hayward Gallery.

Fuseli was of course Swiss-born, but moved to Britain when he was 22, and spent much of the rest of his life here, becoming a member of the Royal Academy and a professor of painting. At that time, the Gothic or 'romantic' taste was at least as popular in this country as in the German states, and, judging from the success of horror movies, it probably still is.

Yours sincerely,

JOHN PARRY

Richmond, Surrey

29 September

Join our commenting forum

Join thought-provoking conversations, follow other Independent readers and see their replies

Comments

Thank you for registering

Letter: Building on Romantic rubble

Join our commenting forum

Thank you for registering