Christian Monastery

Patriarch Maxim: Church leader under communism

Patriarch Maxim of Bulgaria was a priest who saw regimes come and go over his long tenure. From 1971 Maxim led the Bulgarian Orthodox Church – Bulgaria's dominant religion, claiming more than 80 per cent of the country's 7.4 million people.

Oh brothers, where art thou?

Israel's plans to extend its controversial 470-mile security barrier further into Palestinian territory have pitted a Christian community's nuns and monks against each other, writes Catrina Stewart in Beit Jala

Sir Elton and Kiev's lost generation

For people infected with HIV in Ukraine, there has often been little hope. For years they have been stigmatised, ignored, offered inadequate treatment and found themselves pushed to the edge of society, regularly forced to live without homes, support or even the official papers needed to find a job. Until now, however, there has been one clear beacon: a refuge desperately needed in a region that now has the world's fastest-growing infection rate.

Letter from the i editor: I’ll just say "sorry"

An article in another newspaper (which you won’t have read of course, because you are loyal i readers) made a passing reference to my possibly being more on the defensive in this spot than my illustrious predecessor Mr Kelner.

48 Hours In: Dubrovnik

The spirit of this enticing Croatian city is captured in high summer, with an arts festival, al fresco dining and drinking, and plenty of waterside diversions.

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Emperor and Galilean, National Theatre: London

Admirers of the excellent Andrew Scott (the campily baleful Moriarty in Sherlock) have the chance to feast on his talents in Emperor and Galilean, Ibsen's vast 1873 two-part drama. It here receives its much belated English premiere in a condensed and vigorous adaptation by Ben Power that reduces what would take eight hours to perform uncut to a more manageable three-and-a-half-hour marathon. Traversing Europe and the Middle East and spanning the years 351 and 363 AD, the piece is unveiled in a production by Jonathan Kent that encompasses its epic sweep and philosophical agitation with enormous technical flair and dialectical dynamism.