The fascinating life of Hollywood's last superstar
Since the late 1960s the nebulous concept of stardom has been subjected to a systematic inflation of values. In a routine television series, for instance, the status of some obscurely minor supporting performer is frequently aggrandised into that of "guest star"; many of the freakish menagerie of hangers-on who peopled Andy Warhol's Factory-produced psychodramas complacently styled themselves "superstars"; and Barry Humphries' alter ego, the redoubtable Edna Everage, has risen almost imperceptibly from the humble rank of "housewife" to that of "megastar".
Tributes have been pouring in for Elizabeth Taylor, who died yesterday
Statuesque, tawny-haired Ingrid Pitt will be remembered as the buxom actress with exotic looks and an intriguing accent who brought an overt sexuality to Hammer horror, as the star of the studio's first film to concentrate on female protagonists, The Vampire Lovers (1970). She also starred in Countess Dracula (1971), based on a real-life case, in which she played the title character, who drained girls of their blood to retain her youth. After that, her cult following labelled her "England's first lady of horror".
Matt Baglio, 35
Ken Annakin directed over 50 films, ranging from documentaries and popular British hits, such as Holiday Camp and Miranda, to epic international productions including The Longest Day, Those Magnificent Men in Their Flying Machines and The Battle of the Bulge.
Quiet hell of a rotten relationship
We may get hitched with the best intentions, but it doesn't always turn out happily ever after. As Sir Paul McCartney and Heather Mills finally call time on married life, Virginia Ironside explains how to get split without losing your sanity – or £24m