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Margot Robbie and Jacob Elordi’s performances are almost pushed to the border of pantomime, while Fennell’s provocations seem to define the poor as sexual deviants and the rich as clueless prudes
Margot Robbie and Jacob Elordi’s performances are almost pushed to the border of pantomime, while Fennell’s provocations seem to define the poor as sexual deviants and the rich as clueless prudes