News A colony of ants have set up home in the International Space Station as part of an experiment to see how their behavior changes in an environment of low gravity

It's hoped the way they adapt their foraging behavior will help to develop smarter robots

Album: Guided by Voices, Let's Go Eat the Factory (Fire Records)

After a 15-year hiatus, the "classic" line-up of Dayton, Ohio, lo-fi veterans reformed in 2010 for a year-long tour, culminating in this new album of 21 songs with titles such as "Doughnut For a Snowman".

Album: White Denim, Last Day Of Summer (Downtown)

Before recording this year's acclaimed album D, the prolific White Denim snuck into drummer Josh Block's home studio one last time to initiate second guitarist Austin Jenkins into the band.

Mogwai, Roundhouse, London

If ever a night was suited to the cathartic strains of Glasgow's premier instrumental rockers, it was this one.

Music & Me: Stuart Braithwaite and Barry Burns of Mogwai

Stuart Braithwaite (vocals, guitar) and Barry Burns (guitar, keyboards) are members of the Scottish post-rock five-piece Mogwai. The group, who formed in Glasgow in 1995, released their seventh studio album, Hardcore Will Never Die, But You Will, in February. Their “Earth Division” EP is released on 12 September

Album: Eliza Carthy, Neptune (Hem-Hem)

She's on the cover, smirking in front of an old map: a naughty sea god(dess) in a Cruikshank cartoon. Which somehow suits the discursive post-folk rompery of the music: highly arranged, wordy as an Elvis Costello song with larks taking the place of bitterness.

Album: Trumpets of Death, Teeth + Teeth = Teeths (Tin Angel)

On the intriguing Teeth + Teeth = Teeths, Leeds combo Trumpets Of Death investigate a niche, but potentially fruitful area where traditional folk music rubs up against avant-noise, post-rock textures.

Album: Bill Callahan, Apocalypse (Drag City)

Apocalypse is Bill Callahan's best release in some while, sustaining a unity and intimacy of mood throughout. A Western song-cycle, it opens with Callahan as the "Drover", herding cattle and exulting in his "wild, wild country".

Mogwai, Hoxton Square Bar & Kitchen, London

It's sobering to realise that Mogwai have now been on the scene for 15 years. No longer the Blur-baiting noisenik upstarts, they're probably now the elder statesmen of the entire post-rock movement, and they have the pattern baldness to match.

Jon Spencer Blues Explosion, Heaven, London

The warm-up act was only half joking when they said they'd been asked to play their set twice to fill in as a snow-impeded Jon Spencer Blues Explosion raced across London. More than an hour after they left us, the audience was decidedly tepid. So it was lucky that when JSBX finally turned up, their menacingly synthesised New York sound soon sent the temperature gauges soaring.

Album: Tera Melos, Patagonian Rats (Sargent House)

Google "Patagonian rat" and you mostly get pictures of people smoking weed.

Album: Elliott Smith, An Introduction to (Domino)

A figurehead of US indie before his untimely 2003 death, the man dubbed "Mr Misery" may need no introduction to many, but any re-affirmation of the singular vision beyond the sensitive stereotype is welcome nonetheless.

Andrew Buncombe: Doctors or no doctors in North Korea? Healthcare in the hermit state

I’ve never been to North Korea and I’ve no idea what the health care system is like.

The Locust and the Bird: My Mother's Stor, By Hanan al-Shaykh

Hanan al-Shaykh was seven years old when her mother abandoned her. After this, the young Hanan "tucked her out of sight, in a box in [her] head", and it is years before her mother again enters her thoughts, let alone her life.

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