When these CD compilations of Colombian music from the Sixties through the Eighties were first issued in 1989 and 1993, they introduced the wider world to the infectious sound of the cumbia and its accordion cousin the vallenato.

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And Still I Rise features mostly old blues material given a serious jolt of modernist energy, but without sacrificing any of the original character.

Mark Stewart has been cross-pollinating sounds since his time with The Pop Group, always freighted with an abrasive political attitude, and the splendid The Politics of Envy simply ratchets that process up a few notches.

David Walliams talks to Usain Bolt

“Thank you very much for your patience,” pronounces Paul Weller after performing the entirety of his new album, Sonik Kicks. Thankfully, it’s a decent record, full of inventive, psychedelic tomfoolery, electronic warbles and squealing synths – a little like Davie Bowie circa Station to Station.

We Love: Clarks

With her combination of vulnerability and assertiveness, anger and empathy, Sinéad O'Connor makes an apt headliner for the Southbank's Women of the World Festival. Especially since, with her new album, How About I Be Me (And You Be You)?, she's operating with a rare strength and clarity of purpose, with a band flexible enough to lend light and shade to the full range of her material.

Michael Stafford, better known by his stage name Maverick Sabre, is in the middle of his set when a fight breaks out.

Whistle stop

Michael Kiwanuka continues the folk-soul tradition of Bill Withers and Terry Callier on this debut album. Sensitively produced by The Bees' Paul Butler, it's a pleasant enough handful of easy-going songs, in which the focus on warmth has left them lacking bite.

While not as immediately career-defining as Wake Up the Nation, there's no denying that with Sonik Kicks, Paul Weller is continuing the courageous, exploratory course established on 2008's 22 Dreams, experimenting with the impish abandon of one who long since ceased letting others' opinions determine his course.

A video posted by an US activist group highlighting wartime atrocities in Africa, has proved once again the power of social media as a campaigning tool.