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I read 51 books last year, but this was my standout favourite
The novel was nominated in the Goodreads Choice Awards

Whether owing to the high calibre of new book releases in 2025 or weeks of TikTok detoxes, I read 51 books last year – and there is one that I’ve been consistently recommending to people.
In 2025, I gave “romantasy” a go with Rebecca Yarros’s Fourth Wing series, enjoyed memoirs by Kathy Burke and Graydon Carter, tore through novellas like Vincenzo Latronico’s Perfection and Vincent Delecroix’s Small Boats, devoured comedies including Alison Espach’s The Wedding People and Jessica Stanley’s Consider Yourself Kissed and been charmed by romances such as Lily King’s Heart The Lover and Yael Van Wouden’s The Safekeep.
But it’s Florence Knapp’s debut novel, The Names, that’s as crowd-pleasing as it is likely a future classic. Curiously, her only other book is a non-fiction guide to English paper piecing, but her first foray into fiction is a masterclass. It’s as devastating as it is life-affirming, which is a recipe for the perfect book.
The novel is an utterly original take on the “sliding doors” concept. Beginning on the day a mother sets off to name her baby son, it follows three versions of a boy’s life as dictated by his given name. An exploration of how small decisions can echo down the decades, the novel is a gripping and moving family drama.
I tore through the book in two sittings while on holiday. The story might not be the typical easy-breezy beach book, but the novel is hugely readable, with beautiful prose and compelling characters. Debuting at number two in The Sunday Times bestseller list and with an average rating of 4.18 on Goodreads, it’s one of those rare mainstream novels that live up to the hype.

Whether you’re packing for winter sun or looking for your next weekend read, here’s why I’m recommending The Names to everyone.
Read more: Best new books to read this winter
'The Names' by Florence Knapp, published by Phoenix

- Genre Literary fiction
- Released 5 May 2025
An utterly original concept, Florence Knapp’s debut is structured around nominative determinism – how someone’s name can set the trajectory of their life.
Set after the Great Storm in 1987, it begins with Cora setting out with her nine-year-old daughter to name her newborn baby boy. She has three options. The first is Gordon, as demanded by her controlling and abusive husband, who wants him to be named after himself. The second is Bear, the nickname her daughter Maia has affectionately given him. Cora’s own wish is for him to be named Julian, believing this name will set him free of any expectation and influence from his father.
The chapters are divided into three sections – Gordon, Bear and Julian – with each following the ramifications of his naming and the boy’s life as it unfolds over the decades. The novel is profound and moving in its exploration of how tiny decisions can change the path of your life. It’s also an important portrayal of domestic violence and how it can impact a child through the decades, with one version seeing Cora leave her husband and another showing the years of continued abuse.
Despite its darker themes, the novel has the same charm as cult hits like William Boyd’s Any Human Heart or Min Jin Lee’s Pachinko; you follow the characters through their entire lives, including their loves and their losses.
Moments of tragedy will make you weep, but the family story of love and resilience is beautiful. It’s an old-fashioned page-turner, too – I couldn’t tear myself away from the page and read the novel in two sittings.
The verdict: The Names by Florence Knapp
Beautifully written, gripping and explorative of an important topic, The Names is a special debut. The imaginative three-pronged structure never feels clunky or confusing, with each version building tension almost in the manner of a thriller book. The characters are compelling, and the story is heart-wrenching. It’s well worth a spot in your 2026 reading list.
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