15 best wireless headphones, selected by a tech expert

Sony’s latest flagship headphones are an upgrade in all the ways that count. The WH-1000XM6 take everything I loved about the XM5 – the sound, the features, the comfort – and fix the bits I didn’t. The folding design is back, so the headphones now collapse neatly into a bag, and the sculpted earcups look sleeker than before. I’m a big fan of the new magnetic case, too. It’s easier to open and feels much more premium than the old zip-up one.

Sound quality is where the biggest leap lies. The new carbon fibre drivers deliver a cleaner, punchier sound across the bass and mids. Whether it was Olivia Rodrigo, MGMT or a full film score, tracks felt more spacious and textured. Noise cancellation has also had a massive bump, powered by Sony’s new QN3 chip. During testing on the Jubilee line, in cafés and noisy gyms, the ANC adapted smoothly without the lag I noticed on the XM5.

Sony has stuffed these headphones full of features. You get LDAC, multipoint, DSEE Extreme, Quick Attention and Speak-to-Chat, plus fun new additions like background music mode, auto device switching and a dedicated cinema mode that lifts stereo audio in films to new heights. The ability to listen while charging is a small but welcome fix as well.

They’re still comfortable, though the new clamping force is a little tighter, especially over longer sessions (something to keep in mind). Battery life remains at 30 hours with ANC on, and I didn’t run out of juice even after multiple long-haul workdays.

If you’re upgrading from the XM5, you’ll notice a real jump in both performance and usability. For everyone else, this is the best pair of wireless headphones you can buy right now.

Read the full Sony WH-1000XM6 review

Anker’s Soundcore brand is really starting to make a name for itself in the realm of audio gear. The Soundcore Q45 is a very impressive offering, delivering premium-level features and specs at a fraction of the cost.

The Q45s are strong and sturdy headphones with a nice matte black finish and plush ear cups. They didn’t press down too forcefully on my ears and were really comfortable for long periods of use. The headband did feel a little bit flimsy and bendy, but the overall construction was solid and lightweight, and I liked how smoothly the ear cups extended outward. The playback controls are in the physical buttons, including the ANC and BassUp controls.

There are a few key omissions. It lacks on-ear detection and quick pairing via Google Fast Pair and Apple one-touch pairing. These headphones won’t stop playing music when you take them off your head or resume it when you put them back on, and you have to go into the Bluetooth settings the first time you pair, including when you’re using multipoint.

In terms of sound quality, these are great headphones. Tunes sounded expansive, with rich-sounding vocals and crisp highs. There are extensive equaliser settings in the app, so I could control how music sounded even further, if I wanted to. BassUp really helped propel the lows in some of my favourite drum-heavy tracks. Plus, they support the lossless LDAC codec.

There are five levels of active noise cancellation. The highest of which blocked out external sounds incredibly well, though I did feel the pressure in my ears very quickly – Anker itself acknowledges that this will happen, and lower levels of ANC still provided a good amount of noise cancellation. I liked that you could set it to adaptive noise cancellation as well, and that even the transparency mode had different levels. I wish the microphones were a little better. However, the call quality wasn’t perfect, and Siri had trouble hearing us.

It’s no surprise battery life on the Q45s is really good (it’s Anker, after all). You get up to 50 hours on a single charge with ANC turned on (65 hours without) – that’s huge, ranking near the top of the list, and you get another four hours with a five-minute charge. With a price tag that’s less than £150, they’re a great budget option.

I absolutely adored Bose’s NC 700 headphones, but fans know the former flagships were getting a little long in the tooth since launching in 2019 – noise cancellation has come a long way.

The Bose QuietComfort Ultra are the 700s all-singing, all-dancing replacement. These headphones blend the best features I loved in the NC 700s with the beloved qualities of the QuietComfort 45, while also adding some unique features to the Ultras.

The leather and aluminium design is sleek, and the cans look much more premium than Bose’s previous pairs, though I did find my fingers marked the ear cups. The headphones are exceedingly comfortable and don’t feel too heavy after extended use. Thankfully, they fold away too, for easy transportation in the hard carry case.

The noise cancellation is the best we’ve tested in any pair of headphones to date. I could barely hear anything with these on – rumbling trains? Didn’t hear them. Chatter in the other room? Nope, didn’t hear it. Passing cars? Could not hear any. While some sounds did slide through, such as screaming children and police sirens, the escaped sound was so quiet that it felt like it just blended in with music. There weren’t any hisses to be heard either, and the full-transparency aware mode was brilliant.

New for the QC Ultras is something called immersive audio. Your music is either placed in front of you at all times (still mode) or around you (motion mode). Plenty of headphones have this feature, and while I enjoyed that Bose developed it to work with any stereo source, I felt the implementation was a lot better on the WH-1000XM5, because it used Dolby Atmos exclusively. It’s still neat to have playback centralised, but it got confused frequently when I looked in different directions.

Spatial audio aside, the sound quality on the QC Ultras blew us away. My tunes sounded rich and melodious, with some real precision when it was needed. It didn’t struggle with any instruments, separating them all beautifully, and the vocals came across clearly. The cans are slightly bass-heavy, but this can be adjusted in the three-band EQ. Sound isn’t hugely customisable, however.

While I was disappointed that Bose didn’t include a USB-C audio port for wired listening, the QC Ultras are still a knockout pair of headphones, albeit a pricey pair.

Read more: The latest Bose discount codes and deals

Like everything Apple makes with this moniker, the AirPods Max are big, chunky, maximalist headphones. Despite being rather large, they’re also soft and comfy to wear, thanks to the knit mesh ear-cups and flexible headband, which didn’t make my ears too hot.

They cover your ears so fully that you get an exceedingly good amount of passive noise cancellation without even having to turn on ANC – even better than some of the active noise-cancelling headphones we’ve tried. This just takes this set to another level.

If you’ve got a pair of the AirPods Pro, you’ll know exactly how good the transparency mode is. Plus they sound stellar – both rich and full – thanks to the Apple-designed 40mm dynamic driver.

My favourite feature, however, has to be the spatial audio. The sound of your favourite tunes coming from all directions around your head is absolutely mind-blowing, and it will make you fall in love with your favourite songs all over again, giving you a new perspective on what you’re listening to. It’s even better when watching an action film or listening to an audio drama, such as QCode’s sci-fi epic From Now.

I love headphones that are able to detect when you’ve got them on your head – pausing music when you take them off and resuming when you put them back on. I just wish the design were a little better. The case for the AirPods Max is a little awkward and doesn’t provide a whole lot of protection. If I’m being honest, I can’t tell if they look more like a bra or a pair of butt cheeks, but I love them either way.

Apple gave the AirPods Max a minor update in 2024. They now have a USB-C port and come in five colours, including midnight, starlight, blue, orange and purple. If you prefer the more muted colours, such as space grey and silver, or the sky blue, green or pink colourways, you can only get them with the lightning port.

Read the full AirPods Max review

Bowers & Wilkins have always sat at the top of the headphones pyramid in terms of sound and style, and its all-new PX8 S2 are the finest pair the brand’s ever made. Crafted from soft Nappa leather and aluminium, with a firmer clamp that kept them stable on my head without weighing me down. The build quality alone feels in another league compared to most premium pairs I’ve tried.

If you’re a true audiophile and like your sound to be as precise as possible, then you’ll enjoy the latest offering from Bowers & Wilkins. They focus more on accuracy than punch. The 50mm carbon-cone drivers create an airy, open sound with clear separation across the lows, mids and highs. That means bass hunters or those who like artificial warmth should stay away. Everything’s clean and detailed. Tracks from LCD Soundsystem and Beach House felt more layered and defined, with vocals and synth lines coming through well instead of blending together. If you enjoy realism, you’ll enjoy these.

While active noise cancellation is effective at silencing background hum and chatter, it doesn’t quite match Bose’s QuietComfort Ultra or Sony’s WH-1000XM6. That said, the seal alone blocked plenty of noise, and calls sound crisp thanks to an eight-mic array (four internal and four external).

There are loads of nice features, too. They support aptX Lossless and aptX Adaptive for high-resolution playback, plus multipoint pairing for keeping two devices connected at once. I could also fine-tune the EQ in the Bowers & Wilkins Music app, as well as activate things like the wear detection, which paused playback automatically when I lifted an ear cup.

Battery life reaches about 30 hours with ANC switched on. That’s the same as Bose’s and Sony’s, but a little disappointing given its price tag. The case is nice too, though a bit bulky. They’re definitely expensive, but they work hard for it. If you care about fidelity more than fancy tricks, the PX8 S2 deliver a sublime and rich listening experience for any audiophile.

Technics’ latest flagship headphones are as premium as a pair of headphones come. With the EAH-A800, Bose and Sony now have some real competition on their hands.

Launched in early 2022, these over-ear cans, which come in either black or silver, are stylish and comfortable, sound great and whew, that battery life – say no more. The memory foam earpads are nice and soft, so my ears didn’t overheat, and they were also fairly light in terms of weight.

As with the previous EAH-70N, these Technics headphones provide a pretty detailed, clinical sound profile, powered by the 40mm dynamic driver present inside each earcup. The bass is never exaggerated but still feels hefty, vocalists find room to sing in the mids, and the highs are crisp and clear. It’s a balanced listening experience that some will really enjoy. Of course, this can all be adapted to your liking in the app’s EQ settings.

The headphones are also compatible with Sony’s hi-res LDAC codec, as well as AAC and SBC. Noise cancellation, which can be toggled on using the touch-sensitive pad on the right earcup, won’t completely remove all external sound – struggling with some of the highs, but it does remove enough background office chatter to make these a wonderful pair of ANC headphones.

You’ll get a minimum of 30 hours playback with LDAC and ANC turned on. Using AAC and with ANC turned off, you’ll get a whopping 60 hours. Not many headphones can boast this much about their battery life.

The only real negative is that they seem a little pricey when compared to other wireless headphones on the market. The older Sony WH-1000XM4 deliver a better noise-cancelling experience and they’re cheaper.

If you thought the H95s were the height of headphone luxury, Bang & Olufsen has outdone itself. The new Beoplay H100 are the Danish audio brand’s most premium wireless headphones yet. Studio-grade sound, impressive features and materials so luxe, they make most flagship cans feel all but basic.

They still look unmistakably B&O, but everything’s had a bit of a glow-up. The headband is slimmer, the earcups are softer and the aluminium-and-glass finish adds a nice polish without screaming for attention. They’re also modular, which is rare for consumer-grade headphones, so you can replace the ear cushions, headband or even the battery when they start to wear out.

Audio-wise, it’s got a wider, cleaner and more dynamic sound than the H95. There’s a new feature called EarSense that means the sound is tweaked depending on how the headphones are sitting on your head. It was subtle but helped keep things balanced as I moved around. Bass sounds more controlled, vocals pop a bit more, and everything feels like it has more room to breathe. You also get hi-res playback over USB-C, and the headphones are now tuned for Dolby Atmos, with head tracking that shifts the soundstage as I moved my head. It made spatial mixes and films feel more immersive, like the sound was pinned in place even as I turned.

Noise cancellation’s been upgraded too. There are now 10 microphones handling ANC, and it’s noticeably better at blocking stuff out on the go. It’s less hissy, more adaptive, and it didn’t struggle with wind. It also made calls a lot clearer. Transparency mode sounded more natural too – almost like you weren’t wearing anything at all.

The rotating dials on each earcup are still here. One for volume, the other for ANC, and they’re far more satisfying than fiddly sliders or buttons. Playback and calls are handled by touch controls on the outer surface, which worked well in testing and didn’t get in the way.

Battery life is the only disappointing aspect. It’s not as good as the H95s 38 hours. You’ll get around 32 hours with ANC or spatial audio switched on, and five hours of playback from just a five-minute charge. It’s not class-leading, but still more than enough for long flights or a week of commuting.

Of course, none of this comes cheap. At £1,450, the H100 are by far the priciest pair on this list. But if you’re chasing top-tier sound and craftsmanship (and you’ve got the budget), they don’t disappoint, and the company is expected to add higher-res wireless Bluetooth codecs like LDAC.

Sonos’s “most requested product ever” is finally here, and the over-ears have flown straight into my review of the best wireless headphones. They look beautiful, are very comfortable and just ooze quality. We’re huge fans of the slider control system, too.

The listening experience is exceptional. Songs are crystalline; music is clear and precise, and you’ll hear both the delicate details and the tough thrum of loud songs. They essentially sound like Sonos speakers clamped to your head.

They become even better when you use them in combination with the Sonos arc soundbar, which is aimed at people who might want to continue using their home theatre when the noise might otherwise be antisocial – you can just ping the sound from your TV soundbar directly to your headphones and back again. Like flicking a light switch. It’s kind of magical.

Similarly good is what you don’t hear: these headphones have impressive active noise cancellation to block out everything else. It will cut out both the low-level thrum of the city and the distracting trill of nearby conversation. When you turn it off, it is impressively discreet: it sounds like you don’t have the headphones on at all.

So, where’s the hitch? These are great headphones, but they’re great in a way that Sony’s headphones are great. There isn’t enough Sonos magic to make them really pop or integrate into the audio brand’s network, like its speakers and soundbars, and that’s because they don’t support wifi.

I dreamt about arriving home from my commute, listening to a song on these cans and flinging the tune to my Sonos speaker, or listening to the same podcast as my partner, in another part of the flat. The smart Sonos possibilities were endless. Alas, these are just another pair of very good-sounding, very expensive headphones with great ANC, sound and battery life. We’ve got plenty of those.

Read the full Sonos ace review

I can always trust Master & Dynamic to engineer a luxurious pair of wireless headphones that simply ooze sophistication, and the latest MW75 flagship headphones do not disappoint. They’re gorgeous, featuring an aluminium frame, polished and reflective tempered glass on the exterior of the earcups and lambskin leather lining on the headband and magnetically detachable ear pads. They’re comfortable and don’t cup your ears too hard, a big step up from the previous MW65, which, despite being significantly lighter than the new model, didn’t fit too well.

They also sound impeccable. They’re clear, balanced and accurate, with a warmth and a bit of kick in the bass, a delicacy to the mids and a bright vibrancy to the highs. It all just felt immersive, like I was being enveloped by tunes. A faultlessly premium audio experience. Plus, they support aptX adaptive and SBC codecs for those high fidelity listeners, with two USB-C adapters – one for connecting to other USB-C devices and one for connecting to 3.5mm ports

Master & Dynamic still clearly adore physical buttons because they once again make an appearance on the MW75. The controls are decent enough, allowing you to activate your native voice assistant, switch between ANC and ambient modes – with a little bit of lag – as well as increase the volume and pause, skip and play tracks.

There are three levels of active noise cancellation which can be adjusted in the M&D Control app – max, all day and adaptive. Max is the default level of noise cancellation and works the best, cutting out a good portion of the low and mid frequencies, though it did really struggle to block out highs. You’ve also got two ambient modes, but I couldn’t really distinguish much difference between either – both worked at least. 

That said, these are expensive headphones – they’re the same price as the Apple AirPods Max (£499, Apple.com), which have better active noise cancellation, albeit a less appealing design, so they’re not for everyone. But the MW75s are rated to last around 32 hours with ANC turned off, which is almost 10 hours more than the previous model. You can get them in gunmetal/black leather, silver metal/grey/leather, silver metal/brown leather and black metal/black leather.

It’s been a long while since Beats launched a new pair of over-ear wireless headphones, but they’re finally here. Unabashedly Beats in design, the studio pros level up on sound quality, active noise cancellation and spatial audio.

This pair looks almost exactly the same as the Beats studio3, down to its weight, physical button controls and ‘B’ button. While there are certainly better-looking headphones in this list, some people love the Beats look, and these are classic Beats on the outside, but with new colourways. They’re not hugely comfortable, with a fairly hard clamping force on the head, but the ear cups are pretty cosy.

Frustratingly, there’s no on-ear detection sensor, so they won’t pause or resume automatically when you take them off or put them back on your head. It’s a big omission, given practically every other headphone at this price point includes the feature, which helps preserve battery.

But what do I like? Head-tracked spatial audio is a really fantastic feature, which I loved on the AirPods Max, and love just as much on the Beats studio pro. They make you feel like you’re in your own little three-dimensional soundscape, with music enveloping you.

Active noise cancellation and the transparency modes are both very good, too. It killed a good amount of external sound, and it was adaptive, so when a train passed by, it cranked up that noise-cancellation. Transparency mode could be improved – it didn’t let in too much sound, and that’s probably due to having fewer microphones than some other models.

Sound was also enjoyable. Vocals on Lorde’s Mood Ring were crisp and clear, while the guitar plucks were detailed in the mix. Although the bass didn’t jolt us like it used to on older Beats headphones, it’s more controlled, and you still feel the heavy pulse in your bones on tracks such as DVRST’s Dream Space. There are sound profiles, too, but, weirdly, you can only use them when you’re plugged in and listening wired. Overall, these are decent headphones, but there are better, cheaper options in this list if you’re not chained to the Beats brand.

Read the full Beats studio pro review

The Sony WH-1000XM5 used to be the best buy – and for good reason. They’re still an excellent pair of wireless headphones, with rich, detailed sound, powerful ANC and loads of smart features. But with the arrival of the WH-1000XM6, they’ve finally been dethroned.

Sony gave the XM5 a full design overhaul in 2022, removing all the folds and hinges in favour of a sleeker, more minimal look. Instead of folding inwards like the XM4s, the ear cups slide down and lie flat. It looks clean, but makes them harder to chuck in a bag. A controversial change. Some people may love the refined silhouette, but others (us included) miss the portability.

That said, the shape does have its benefits. It improves wind resistance and helps boost the ANC when you’re out and about. Comfort is still cosy, thanks to the soft padding and lightweight frame, and they don’t grip your head as firmly as the XM6. After long sessions, they don’t feel exhausting, though if you’re walking fast or using them in the gym, they can shift around a bit.

They’re super smart, with a full suite of features from speak-to-chat, quick attention mode, Spotify Tap, Alexa voice activation, wear detection and location-based ANC presets that adjust depending on where you are. There’s no support for Bluetooth LE Audio or Auracast like you’ll find on the XM6, and you can’t listen while charging, which is a small but annoying omission.

Still, the sound quality more than holds its own. Whether you’re listening to orchestral music, rap, podcasts or your favourite pop playlist, the XM5s sound fantastic – warm, detailed and incredibly well balanced. The active noise cancellation is also still among the best, handling both low rumbles and high-pitched distractions with ease.

If you can find them in a sale, the XM5 remain one of the best wireless headphones you can buy. But the XM6 fold again, sound cleaner, and come packed with next-gen extras. They’re the ones to beat now.

Read the full Sony WH-1000XM5 review

You may look at this list and think you’re going to have to pay an arm and a leg for a decent-sounding pair of wireless headphones. But JBL has been providing that kind of quality for years, at relatively affordable prices.

The newest pair of headphones in JBL’s affordable line-up is the JBL live 770NC. Design and comfort-wise, they don’t look as premium as, say, the AirPods Max or the Sony XM5s. With a fairly thin, plastic-y design and quite a strong clamp on the head, they’re cheaper headphones, and they look it. The textured headband is nice, however, and I am a fan of the lightweight design.

A pair of bass-heavy cans, they sound fairly good for their price. There’s a dedicated button on the earcup for all the playback settings, volume rocker and a button for ANC and ambient modes. If you’re a bass hunter, you’ll absolutely love the tone, with punchy lows and expressive-sounding pop tracks. While it’s nice that these include adaptive ANC, it’s not the best active noise cancellation we’ve tested. They tune out a fair amount of the low frequencies, but a lot of external sound slips through.

On-ear detection works really well, automatically pausing whenever I removed the headphones and resuming tracks when I put the headphones back on. Meanwhile, the battery life is just astonishing. These cans won’t run out of juice for 65 hours, making them some of the longest-lasting headphones I’ve ever tested. Plus, they have multipoint connectivity, so you can switch between devices when a call comes through on your phone.

Sennheiser might be more recognisable for its Momentum line of headphones, but when the company debuted a new line of more affordable Accentum headphones last year, I was instantly sold. Earlier this year, the sound manufacturer released the Accentum Plus headphones – a no-frills pair of active noise-cancelling cans.

While they’ve got a plastic construction, they’re beautiful, really light and super comfortable to wear. They never snagged on my skin or hair and were a joy to place on my head. I was glad to note they had on-ear detection with gesture support for all the usual playback controls.

The adaptive active noise cancellation is also really decent. While you can find better background sound cancelling for twice the price, these cans do a fine job for headphones at this price point. The transparency mode is also pretty good, although I didn’t quite like that the slider for controlling both transparency and ANC were shared, so I couldn’t control the level of sound leakage as precisely as I would have liked.

In terms of sound quality, these are very good headphones. There is a strong sense of bass, but it’s never overwhelming like on a pair of Beats headphones, making it more controlled, while higher frequency sounds are still there in the mix without getting fuzzy. The Accentum Plus also connect to Sennheiser’s app, so you can better personalise the sound to your liking. I particularly liked the sound zones setting, which lets you customise when maximum ANC kicks in (on loud trains, for example). Plus, they lasted me a good 50 hours on a moderate volume. A great affordable pair of headphones.

1More is starting to make a name for itself in the realm of budget audio, and these are the company’s first pair of over-ear wireless headphones. While they have a relatively tiny price tag, they actually boast premium features that headphones four times more expensive include, though they miss out on some of the basics, such as on-ear sensors.

While they don’t look super premium in terms of design – the headphones have a plasticky headband and exterior – they’re light and extremely comfortable to wear, and the red inner trim on the earcups is a nice touch.

The controls are a little odd and don’t line up with the standard we’ve all gotten used to. Instead of pressing the play button three times to skip back a track, you have to hold down the volume-down button or volume-up button to go to the previous track. But 1More isn’t averse to using double clicks, because you have to double-click the power button (which is also the play button) to activate your voice assistant. It’s all a little confusing, and sadly, there’s no way of reprogramming the buttons in the app.

But once you get past those niggles, the headphones become a bit more enjoyable to use. Extraordinarily, these support Sony’s LDAC hi-res codec, meaning you can listen to lossless audio if you have a device that supports it and you’re listening on a hi-res streaming service, such as Tidal or Amazon Music HD. LDAC support is complemented by the headphones’ surprisingly good, balanced tuning. Our music sounded rich and full and very enjoyable, plus there are 12 EQ presets inside the app, if you want something a bit more personalised.

I was also shocked at how good active noise cancellation was, with a good amount of the lows being drowned out, though the ambient mode could use some work, and the highs were able to sneak through when ANC was turned on. The sonoflow also supports multipoint connectivity, allowing us to switch seamlessly between two devices, but it’s a feature buried in the experimental area on the 1More app.

And finally, that battery life. It lasts a whole 70 hours with ANC turned off, and 50 hours with it turned on. That’s market-leading and a real differentiator at this price point. You can get five hours of battery with just a five-minute charge.

Some of the design and control elements leave us wanting more (pun not intended), and I was sad there aren’t any on-ear sensors, but they sound decent, support LDAC and multipoint, and they have that incredible battery life. These headphones are currently out of stock but are set to come back in sometime soon.

Urbanista has done it. The Swedish audio brand is the first company to design a pair of wireless headphones powered by light. And we’re not just talking about the sun, either. I mean literally any light source – outdoor or in, meaning they will theoretically last forever without needing to be plugged into the wall.

Thankfully, solar charging isn’t just a gimmick. The Los Angeles headphones are great noise-cancelling cans in their own right, and they look stylish to boot. They’re not the most comfortable headphones to start with, but they do soften up over time. There’s a large strip of photovoltaic material right across the headband, developed by Exeger. It’s noticeable, but not ugly. This is where the magic happens.

It basically uses light to top up the charge every time it falls below 90 per cent. If you don’t solar charge them (you’ll literally need to be in a darkened cave), the headphones will still last incredibly long – 80 hours, in fact, or 50 hours with active noise cancellation turned on. The ANC isn’t the best, with a large amount of sound still filtering through from most frequencies. The ambient mode was a lot better, though – I was still able to hold a conversation while Lorde was playing at 50 per cent volume, for example.

In terms of sound, they’re pretty great for a fairly cheap pair of noise-cancelling headphones. They are a little bass-heavy and sound best when listening to pop anthems, but they’re solid nonetheless. They feature a fairly wide sound stage, and the bass was good. My tunes sounded particularly weighty. Vocals also came across crisp and clear. The highs could be a little richer, but overall, I was impressed. A pair of headphones with a limitless charge is not to be sniffed at.

Read the full Urbanista Los Angeles review